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Rainer Ganahl click
Born in Bludenz, lives and works
in New York with an American and an Austrian passport 1990/91 Whitney
Museum Independent Study Program, New York 1986-91 HAK,
Vienna (P. Weibel), Akademie Düsseldorf (N. J. Paik)
Master of Philosophy and History at the University of Innsbruck
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Selected
One Person Shows
Baumgartner Gallery, New York 2001
Baumgartner Gallery, New York
Galerie Nächst St. Stephan Rosemarie Schwarzwälder,
Vienna
Artra, Milan
Sint-Lukasstichting, Brussels
Kunstverein & Stiftung Springhornhof, Neuenkirchen 2000
Basic
Canadian, Paul Petro Contemporary Art, Toronto 1999
Offene Handlungsräume, 48th Venice Biennale,
Austrian Pavilion, Venice (together with 5 other artists or artist collectives)
Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Landesmuseum Tirol, Innsbruck
Max Protetch, New York 1998
Kunsthaus Bregenz, Bregenz, catalogue
Werkstatt Graz, Graz 1997
The Thing, New York
Massimo De Carlo, Milan Educational Complex, organized by Rainer Ganahl: Lindsay Anderson, Rainer Ganahl, Candida Höfer, Mike Kelley, Frederick Wiseman,
Generali
Foundation, Vienna, catalogue 1996
Galerie Roger Pailhas, Paris
In Vitro, Geneva
Depot, Vienna
Villa Arson, Nice
Ghislain Mollet-Viéville, Paris
Künstlerhaus Stuttgart, Stuttgart
Thomas Solomon Garage, Los Angeles 1995
Sandra Gering, (with Matthew McCaslin), New York
Galerie Philomene Magers, Cologne
Blum & Poe, Los Angeles
Contemporary Art Center, Moscow
Ice Box, Athens 1994
The Thing, BBS, New York, Vienna
Galerie Roger Pailhas, Paris
Nordanstad Gallery, New York 1993
Person's Weekend Museum, Tokyo, cat. available
Ghislain Mollet-Viéville, Paris
Galerie Roger Pailhas, Marseille, catalogue 1992
Nordanstad-Skarstedt, New York
Massimo DeCarlo, Milan Galerie
Roger Pailhas, (3 times 3 weeks, with Peter Fend and Silvia Kolbowski,
curated by Rainer Ganahl), Paris, cat. avail.
Dallas Museum of Art, Dallas, brochure 1991
White Columns (White Room), New York
Randy Alexander (with Matthew Antezzo), New York 1990
Ghislain Mollet-Viéville, Paris
Galerie Philomene Magers, Bonn, catalogue 1989
Virtue in Objects, Installation (with Paul Garrin), Museum
Folkwangen, Essen
allerArt, Bludenz Selected
Group Shows
Import/Export, Villa Arson, Nice (cat.)
Blick und Bild, Kunstmuseum des Kantons Thurgau
(cat.)
Detourism, Renaissance Society, Chicago
217.174.192.66, Gregoire Maisonneuve, Paris Austrian Comtemporary Art, Architecture and Design, Shanghai Art Museum, (cat.)
Berg_Werk_Stadt_Graz, Werkstadt Graz, Graz
Drawing Project 2: Office of Utopic Procedures, West
Space Gallery, Melbourne
Milano Europa 2000, Bovisa, PAC, Milan
Kunst aus dem Osten, ACC gallery, Weimar
Beyond Origin, Video Art, Hellenic American Union
Gallery, Kolonaki Vernaculars:
Speaking, Deforming, Inventing the Languages of the Web, Centre
George Pompidou, (www.centrepompidou.fr/netart), Paris In/SITE/Out,
Apex Curatorial Program, New York Blondies
and Brownies. Blondinchen und Bräunchen, weiß weiß
bin auch ich, Aktionsforum Praterinse, Munich The
Good, the Bad and the Ugly, Spaghetti Western, Museum of Contemporary
Art, Denver
Frankfurter Kreuz, Schirn Kunsthalle Frankfurt, Frankfurt 2000
1999
Kunst-Welten im Dialog, Museum Ludwig, Cologne
Radio temporaire, Radio Suisse Romande, Geneva
Einblicke in die Sammlung, Generali Foundation, Vienna
Lascaux2, Villa Arson, Nice
DACH, Galerie Krinzinger im Benger Areal, Bregenz Offene
Handlungsräume, 48th Venice Biennale, Austrian Pavilion,
Venice
SITuations COMpromettantes, Galerie Montenay-Giroux, Paris,
(May)
expander 1.0, Galerie Jousse-Seguin, Paris
Conceptual Art As Neurobiological Praxis, Thread Waxing
Space, New York
GILBERT & GEORGE, 1970 N. Bronson, Hollywood, Los
Angeles 1998
Projects, Candy Factory, Tokyo
way.out, kunstraum kreuzlingen, Kreuzlingen
In Vitro e Altro, Cabinet des Estamps, Geneva
modular composite, Central Fine Arts, New York
Livestyle, Kunsthaus Bregenz, Bregenz
May 17, 1998, May Day Productions, New York 1997
Jingle Bells, Galleria Massimo De Carlo, Milan
Miroir cassé: résistances, L’Espace
de l’Art Concret, Mouans
postproduktion, Generali Foundation, Vienna
'97 Kwangju Biennale, Kwangju exhibition hall, Kwangju,
catalogue
New York, Galleri F15, Moss, Norway Zonen
der Verstörung, Zones of Disturbance,
Steirischer Herbst 1997, Graz, catalogue
The Art Exchange Show, Evelmachine, on various
sites, New York Andere
Orte. Öffentliche Räume und Kunst,
Kunstmuseum des Kantons Thurgau, Ittingen Marcello
Esposito, Rainer Ganahl, Beat Streuli, École Régionale
des Beaux-Arts, Tours, catalogue
OIR es VER - To HEAR is To SEE, Luis Angel Arango Library,
Bogotá Educational
Complex, organized by Rainer Ganahl: Lindsay Anderson, Rainer Ganahl,
Candida Höfer, Mike Kelley, Frederick Wiseman, Vienna, catalogue 1996
Selections from the MAB Library, AC-Project Room, New
York
Tinsel Tower, Clocktower Gallery, New York
Austria im Rosennetz, Kunsthaus Zürich, Zürich,
catalogue
Files, Bunker, Berlin
En Route to M-E-X, Art& Idea, Mexico City
Austria im Rosennetz, Museum für Angewandte Kunst,
Wien, catalogue
Grenzen, public art initiative, Feldkirch Österreichische
Trienale zur Fotografie: Radikale Bilder,
Museum für Zeitgenössische Kunst, Szombathely, catalogue Rainer
Ganahl, Matthew McCaslin, Gilles Melgrani, Ateliers d'Artistes de
la Ville de Marseille, Marseilles
Nach Weimar, Neue Museum Weimar, Weimar, catalogue
Video Faz, Art & Idea, Mexico City Österreichische
Trienale zur Fotografie: Radikale Bilder, Neue Galerie Graz, Graz,
cat.
Quicktimes, http://thing.net/thingnyc, Thing, New York
Version 2.2, Saint-Gervais, Geneva, cat.
Departure Lounge, PS1 Museum, Clocktower, New York
Between the Acts, c/o Gerhardsen, Oslo, cat.
Aquarium, Vidéo-Films, Musée des Arts d'Afrique
et d'Océanie, Paris..
Between the Acts, Ice Box, Athens, cat.
,
Use As Directed, USF Contemporary Art Museum, Tampa 1995
The Invisible Force, Nomadism as Art Practice,
Polk Museum of Art, Florida, catalogue
Biblio Vertigo, Northern Illinois University Art Museum,
Chicago, cat.
Haizuka project, Haizuka, Japan
On peut toujours tout changer, Usine Fromage, Rouen, cat.
avail.
Garbage!, Thread Waxing Space, New York
Custom Colors, Here Art, New York, cat. avail.
Blast 4: Bioinformatica, Kölnischer Kunstverein,
Cologne, brochure Daniel
Buren, Fortuyn/O'Brien, Rainer Ganahl, Haim Steinbach, Joep Van Lieshout,
Galerie Roger Pailhas, Marseille
Mapping, A Response to MoMA, American Fine Art, New York 1994
Gone, Blum & Poe, Los Angeles
When attitudes become form, The Mont Claire Art Museum,
New Jersey
Pain/Pain Online, Here, New York
Mixbild, Schippers & Krome, Colgone
Possibilismo Americano, Studio Oggetto, Milan
What is in your mind, National Museum of Science and Technology,
Stockholm, cat.
Artifice 3, Saint Denis, Paris, cat.
Le saut dans le vide, New Tretjakowskij Gallery, Moscow Suture - Fantasies of Totality, Kunstverein Salzburg, cat. Localzeit
- Wiener Material im Spiegel des Unbehagens, Forum aktueller Kunst
- Raum Stohal, Vienna, cat.
Art After Collecting, Galerie Philomene Magers, Cologne. 1993
Viennese Stories, Secession, Vienna, cat.
Utopia
Del Possibile, fra America ed Europa, Foyer Teatro Carlo Felice,
Genova, cat.
Groupshow, Massimo de Carlo, Milan
In Between, Floating Gallery, Tokyo
More than Zero, Le Magasin, Grenoble, cat.
Before the Sound of the Beep, various sites in Paris,
cat.
Par les Yeux du Langage, Musée de Marseille, Marseilles
Binera, Kunsthalle Wien, Vienna, cat. 1992
Under Thirty, Galerie Metropol, Vienna, cat.
One plus One, Galerie du Mois, Paris
Brain: Internal Affairs, Beatrixziekenhuis, Gorinchem,
cat.
L’Ere Binaire, Musée D’Ixelles, Brussels,
cat.
Up Date, White Columns, New York, cat.
Greatest Hits, Daniel Buchholz, Cologne
Letter S Road: RE-marks on Site, Omi, New York
The Big Nothing, The New Museum, New York, cat.
Apt. Art Int., Moscow 1991
L’esprit bibliothèque, La Galerie du Mois,
Paris 1990
No, ..., Galerie 1900 - 2000, Paris, cat.
Passage
de l’Image, (touring exhibition), Centre Pompidou, Paris,
Stedelijk Museum, Amsterdam, catalogue
Art Cologne, (Förderkoje), Galerie Philomene Magers, Cologne,
cat.
Act Up Conference, Amsterdam (Time Based Arts Gallery) 1989
Germination V, Musée d’Art Contemporain St.
Pière, Lyon, cat.
Wortlaut, Galerie Schüppenhauer, Cologne, catalogue
1988
Stilleben, Galerie Philomene Magers, Bonn, catalogue 1987
Logo-Ausstellung, Hochschule für Angewandte Kunst,
Wien, catalogue
Selected
Bibliography
2006 Aaron Moulton, Reriferic 7 and Bucharest Biennial 2, Flash Art International, July - September 2006 Rika, Hiro, Can you swim through the society of motorization without wobbling? in "Around the Globe: from L.A." in Bijutsu Techo, July 2006, p. Martha Schwendener, Rainer Ganahl at Miriam & Ira D. Wallach Art Gallery, Columbia University, New York, Artforurm, February 2006 Please, teach me, book review, tema celeste, contemporary art, 114, March/Aprill 2006 06 Eleanor Heartney, Rainer Ganahl, Wallach Galleryh, Columbia University, book review,art press 321, March 2006 Didier Arnaudet, Langes emmêlées, ,art press 322 April 2006, p. 82-83 Krystian Woznicki, Please, teach me.. Rainer Ganahl and teh Poliltics of Learning, New York, (Wallach Art Gallery), 2005 , Springerin Band XII, Heft 2 , Frühjar 2006, p. 82-83 , Max Hollein, Rainer Ganahl, Erziehungskomplex, in: Max Hollein, Unternehmen Kunst, Entwicklungen und Verwicklungen, (Lindinger, Schmid Verlag) Regensburg 2006
Rainer Ganahl in conversation with Paul Mattick, The Brooklyn Rail, October 2005 Grace Glueck, 'The Jewish Identity Project', American Jewishness in All Its Infinite Variety, The New York Times, October 10, 2005 Bernadette Felber, Rainer Ganahl, Flash Art , July - September 2005 Miaka Pollock, Trade at White Columns, Flash Art , May - June, 2005 Faye Hirsch, Rainer Ganahl at Baumgartner, Art in America, May 2005 Andrew Maerkle, Rainer Ganahl at Baumgartner, Zingmagazine, 2005 Rainer Ganahl, When Attitudes Become - Curating, Manifesta Journal, N4, Winter 2004/05 Holland Cotter, Trade, White Columns, The New York Times, February 25, 2005 A Life in Picutres, Abigail Solomon-Godeau, , (S/L Susan Sontag ..., photograph) Artforurm, March 2005 2004 Katy Siegel and Paul Mattick, Money, Thames & Hudson 2004 Holland Cotter, No Return, Momenta Art, The New York Times, October 1, 2004 Manami Fujimori, Rainer Ganahl, BT Vol. 56, No. 847, Arpril 2004 untimely ends, Homi K. Bhabha on Edward Said, (S/L Edward Said ..., photograph) Artforurm, February 2004 Rainer Ganahl, Iraq Dialogs, Zingmagazine, Issue 19, Winter 2004 A History of the Whitney Independent Study Program, Howard Singerman, (2 S/L photographs) Artforum, February 2004 Maria Fusco, Rainer Ganal, The Angry Optimist, afterart news, January 2004 2003 Maria Fusco, angry optimists, art monthly Dec.-Jan.2003-04 n. 272 Edward Said, Imperiale Sichtweisen, (S/L photographs) springerin, Winter 2003 Francesco Manacorda, Homeland Security larte come strumento di riflessione politica, Flash Art Italian Edition, November 2003 Maria Fusco, book review art monthly December - January.2003-04 Martha Schwendener, Rainer Ganahl at Base, Artforum, February 2003 Holland Cotter, New York, Southfirst: Art, New York Times, 2/21/03 2002 Suzanne Dieter, Rainer Ganahl at Baumgartner, zingmagazine, 18, Autumn 2002 Diana Baldon, Rainer Ganahl, Tema Celeste contemporary art, 91, May/June 2002 Francesca Pasini, I rifletti di Marx, Linus, January 2002
2001 A. S. Bessa, Rainer Ganahl, Seminars / Lectures, 1995 - , zingmagazine, 15, 2001 Raul Zamudio, Rainer Ganahl, Baumgartner Gallery, zingmagazine, 15, Spring 2001 Gregory Williams, Rainer Ganahl, Baumgartner Gallery, Artforum, Summer 2001 Daniela Gregori, Stimmen aus der Ferne, Rainer Ganahl in der Wiener Galerie Nächst
St. Stephan, Frankfurter Allgemeine Zeitung, 3/10/2001, Nr. 59/
p. 57 1999 Rainer
Ganahl, George Baker, Letters to the Editor, Artforum,
September 1999 Rainer
Ganahl, Interface Passages, New Observations 122, Summer
1999 Barry
Schwabsky, Rainer Ganahl, ArtByte, II 2, Summer 1999
Nancy Princenthal, Rainer Ganahl at Max Protetch, Art
in America, May 1999 Caspar
Stracke, Where is Rainer? Thing.net review. Momoyo
Torimitsu, Keep moving away from your mother tongue... Austria
Kultur, Vol. 9. No. 3, May/June 1999
George Baker Rainer Ganahl: Max Protetch Gallery, Artforum,
April 1999
Robert C. Morgan, Rainer Ganahl: Max Protetch Gallery,
artpress, 245, april 1999
Rainer Ganahl, Basic Linguistics, Purple 3, Summer
1999 Bill
Arning, Rainer Ganahl, Max Protetch Gallery, Time Out New
York, Issue No. 175, Jan. 28 - Feb. 5, 1999 Matt
Freedman, Rainer Ganahl, Max Protetch Gallery, Review,
The Critical State of Visual Art in New York, January 15, 1999 Thomas
Wulffen, Ortssprache - Local Language, Kunstforum International,
Bd. 143, Jan. Feb. 1999 1998
Rainer Ganahl, Basic Linguistics. Sprachspiel – Language
game, Kuva, 5-6, 1998 Meike
Schmidt-Gleim, Rainer Ganahl, Imported – A Reading Seminar;
Ortssparche - Local Language, Springerin, December 1998,
Nr.4 Ricardo
Dominguez, Imported: A Reading Seminar edited by Rainer Ganahl, 8/28/1998,
www.thing.net, reviews
Martin Tupper, Imported - Rainer Ganahl, Interview, Blocnotes
15, Summer 1998
Gregory Volk, Kwangju Biennale, World Art, April
1998 Barry
Schwabsky, “Subject X”, Notes on Performative Art, Part
1, Art/Text, Nr. 60, February, April 1998
Robert Fauser, 1997 Kwangju Biennale, Art/Text,
Nr. 60, February, April 1998 1997
Kwangju Biennale 1997, BT, November 1997 Laura
Chiesa, Rainer Ganahl, EA-Generali Foundation, Flash Art
International, Summer 1997 Barry
Schwabsky, Rainer Ganahl, Windows on the Word, in Barry Schwabsky,
The Widening Circle, Consequences of Modernism in Contemporary
Art, Cambridge University Press,
Cambridge 1997 Thomas
Wulffen, Rainer Ganahl, Erziehungskomplex, Generali Foundation,
Kunstforum, Bd. 137 Juni - August 1997 Reinhard
Braun, Rainer Ganahl: Erziehungskomplex, EA-Generali Foundation,
Wien, Camera Austria
International, 57/58, 1997 Max
Hollein, Rainer Ganahl, Educational Complex, Generali Foundation,
zingmagazine 4, summer 1997 Paulo
Bianchi, Rainer Ganahl, Please, teach me..., Kunstforum
International, Bd. 137, Juni - August 1997 Roberto
Costantino, Rainer Ganahl, Assimo De Carlo, Milano, Flash
Art, giugno, luglio 1997
Francesca D’Antona, Ri-leggere Pasolini, Exlibris,
7, april 1997
Maria Wutz, Rainer Ganahl, Galerie Roger Pailhas, Paris,
zingmagazine 3, autumne/winter 1996/97
Tom
F. McDonough, Rainer Ganahl, Galerie Roger Pailhas, Paris,
zingmagazine 3, autumne/winter 1996/97;
Vitus H. Weh, Der Tod des Malerschweins, Falter 8,
1997
Johanna Hofleitner, Dokument und Plüsch, Die Presse,
2/6/1997 Rainer
Metzger, Der Olymp der Trenddenker, Ein "Erziehungskomplex":
Rainer Ganahl in der Genarali Foundation, Der Standard,
1/30/1997 1996
Jeff Rian, Letters from Paris, www.artnet.com
Yan C., Rainer Ganahl, Lecture, voyage et Internet, Technikart,
N.8, Décembre - Janvier 1997
Natacha Carron, Read me frist, Coda 28, Décembre
1996
John Ipolito, Where has all the uncertainty gone, Flash
Art International, Summer 1996
Perenosnoe
(ne slishkom idealnoe) Iskystbo, [A Portable (Not So Ideal) Art] Interview
Rainer Ganahl - Alexej Medwedev, Chudoshestvenny Journal 12,
Moscow, July 1996 Jean-Christophe
Royoux, Exposition(s) du récit après la littérature,
Omnibus Nr.16, April 1996 Jean-Charles
Agboton-Jumeau, Essais de dialectique idiolectiale, à propos
d travail de
Rainer Ganahl, Omnibus Nr.16, April 1996 Susan
Kandel, A Bare-Bones Look at Cyberspace Totems, Los Angeles
Times, March 7, 1996 1995 Janine
Gorden, Rainer Ganahl, Matthew McCaslin at Sandra Gering, New York,
Flash Art International, Nov. 1995 Kim
Levin, Voice Selections: Rainer Ganahl, Matthew McCaslin at
Sandra Gering T he Village Voice, New York October
1994
Yekaterina Dyogot, Terroristischer Naturalismus, Springer,
Heft 4, Sept 1995
Rosanne Altstatt, Knowledge is Power, zingmagazine,
Fall 1995
Susan Kandel, Grouped Together to Stand Apart, Los
Angeles Times,Jan.12, 1995
The Thing, Manami Fujimori, BT Magazine, Feb. 1995
Olivier Zahm, grec moderne basic, Purple Prose,
Winter 1995 1994
News from New York, New Project for The Thing, Flash
Art International, Oct
1994 Reba
White Williams, News of the Print world: People & Places:
The Thing, The Print Collector's Newsletter, Sept.- Oct.1994
Gabriele Rivet, Art after Collecting, BT Magazine,
June 1994 Wolfgang
Staehle (ed.), Snap to Grid, The Thing, New York, (BBS
Interview with different participants), February 1994
Yukiko Shikata, Studio Voice, March 1994 Kim
Levin, Voice Selections: Rainer Ganahl, The Village Voice,
New York February 1994 Todd
Alden, Rainer Ganahl: Mapping the Space of Information, Kunstforum,
Jan/Feb. 1994 1993 Nancy
Shalala, Rainer Ganahl at Person’s Weekend Museum, Japan
Times, Sunday, November 14, 1993 News from Person's Weekend Museum, Tokyo, Flash Art International, November/December 1993 Robert
Fleck, Rainer Ganahl, Galerie Roger Pailhas, Marseilles, Flash
Art International, May/June 1993
Maria Campitelli, Rainer Ganahl, Juliet, June 1993
Barry Schwabsky, À propos de l’art de Rainer
Ganahl, The Art of Rainer Ganahl,
Artpress, April 1993 Jean-Charles
Agboton-Jumeau, Rainer Ganahl, Galerie Roger Pailhas, Marseilles,
Forum International, March 1993
Patricia Brignone, Par les Yeux du Langage, Arte Factum,
March
1993 Eleanor
Heartney, Rainer Ganahl, Nordanstad-Skarstedt, New York, Art
in America, March 1993
Rainer Ganahl, Foucault... bourr. text 1, Documents,
Paris, Feb. 1993 1992
Olivier Zahm, Rainer Ganahl, Galerie Roger Pailhas, Paris,
Artforum, Dec.1992 News/Information:
Rainer Ganahl at Massimo de Carlo, Flash Art Italiana, March/April
1992
Jerôme Sans, Rainer Ganahl, Galerie Roger Pailhas,
Artpress, June 1992 1991
Olivier
Zahm, No, not that one. It’s not a chair, Galerie 1900-2000,
Artpress, May 1991 1989
Dieter
Daniels, Rainer Ganahl, Paul Garrin at the Museum Folkwang, Kunstforum,
Dec. 1989
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